Tom Sutton

Aug 302010
 
Bioshock Infinite thumb copy

Omgomgomgomgomgomg…
Wait, I have to get a grip, I’m a columnist damnit! I have a job to do!
Okay… I can do this. Deep breath…

Holy Crap this game looks awesome! The trailer has like the big daddy, and and it’s got the rapture, but it’s just some world’s fair display and you’re actually suspended really high up in the air!

Okay I’ll try to settle down. I am an avid fan of the Bioshock series, some might say rabid fan (I bite people sometimes).

Essentially we’re looking at the same universe. What else can we assume? Not much actually… 2K games has made it perfectly clear that there are “No sacred Cows” and the rules of this world are about to change. We’re looking at a whole new system for the AI and abilities the player will have.

We’re movin’ on up from the ocean floor, going all the way up to a city 30,000 feet up in the sky. Booker DeWitt stars as an ex Pinkerton agent (Basically an ex Private Eye, how cool is that?). His goal is to rescue Elizabeth, a young women imprisoned in the sky city of Columbia. Elizabeth has some extraordinary abilities that you get the chance to augment yourself with to help escape the city.

Some questions arise… Co-op? It sounds like a perfect situation if you ask me. What about the morality system? Are we to expect any changes from the typical black and white choices Bioshock gave us? That being said, it looks like Columbia is going to be more clockwork oriented with its technology. Just how much “Bio” will be in this one?

I’m afraid the developers are being rather tight lipped about this one. We’ll just have to wait and see. One idea floating around the rumour mill is that Bioshock Infinite’s story line will be targeting a more American nationalist angle as opposed to Ayn Rand- Cough – Andrew Ryan’s economics.

Aug 272010
 
My Soul To Take copy

Wes Craven, kind of a big name around the horror circuit right? Well dig this trailer from his new film “My Soul to Take”. The title is a rip from a prayer (featured in the opening of the trailer). Apperently, some guy went crazy and murdered people, 7 kids were born on the day the killer died, and now he has returned to kill them. For some reason. He’s crazy, it doesn’t matter I guess.

Watch the trailer now…

Okay did you see it?…

Good. Now, What the hell is that bird thing? What the hell is this supposed to be? Scary? A testement to screen writing and plot? Well maybe not but lets be honest, horror is the whipping boy of Hollywood. If you’re worried about going into the 11th grade this fall, “My Soul to Take” might be your kind of movie.

Aug 182010
 

 

Normally you might see me here writing articles for various “picks”. Ranting about movies I watched recently or video games I felt compelled to play. I was surprised when the editor (or Chief as I call him) approached me and wanted me to write an editorial.

“Hello Tom, we need to talk” he said.

“Hey Chief” I replied.

“Stop calling me that” He said. “Your material is getting dry. We’ve been getting emails from various groups of upset readers that they want you removed from the site”

“Groups of admirers are begging for me to expand my literary horizons? That’s great news chief!”

He grunted and buried his face in his palm, “Look, just do something else okay? Don’t bother with the video game pick just do something about media okay?”

“I won’t just do the video game pick, I’ll write something on media too!” I replied.

I think he was really impressed because he started to cry tears of joy. I think that was joy anyway. I gave him a pat on the back and reassured him that one day, if he tries really hard, he might come close to doing as well as me.

My topic of focus right now is then,

How Multi-Media Is Making Nerds Cool

Alright now don’t rush off to throw on your anime headband cat ears and C++ T-shirts. Society is slowly making lesser

known “nerdisms” more acceptable. It doesn’t mean that you can walk around in your Darth Vader costume and expect to pick up chicks. It just means that a guy in a Darth Vader costume driving around in a low rider might not be the weirdest thing in the world. What I am arguing is not that people are no longer alienating geeks, what I am saying is that most people would see Darth Low-Rider cruising and actually think it was pretty amusing. Dare I say, even cool.

Slow down tubby, you’re not on the moon yet!

So where am I getting this conclusion here. What evidence am I basing this off of? Well if you’re looking for hardcore statistics and data… Why are you even reading this? This website has stuff for video games and comic books, this isn’t a thesis paper. This article isn’t worth extra credit so you’re out of luck Mr. Facts-ahoy.

This is just an observation and if you bear with me I think I make a damn good case. My main points are that: Technology is making digital communication more prevalent in today’s society thus making it less obscure and arcane. Once media becomes more accessible those who have access to it are the ones who will likely be atop the social order. Those who understand media or technology may not have the social skills to become accepted into the order on their own power (aka nerds aka you and me) can at least be respected for our knowledge of it. Nerdy people may not be social kings and queens but we understand something that those people need, therefore we gain a respect of sorts. Most importantly, when people begin to understand nerdy behaviour they begin to understand the people behind it.

 

Hey baby, I'm a level 25 mage.

Not to be sexist, but let’s take a look at the normal dating scene. A woman is looking for a man, and in her search her mind she considers the positives and negatives of each potential date. Back when technology was mostly limited to fast cars and the fledgling internet, knowing stuff about cars was important. A car meant mobility, and a mate that knew things about cars would be more likely to have a better car.

Though mobility is still desirable it now competes with text messaging and the robust power-house computers we have today. Sure the car jockey might be able to change a flat, but what happens if your cell phone stops working. You might be late for the party, but not having that ability to communicate 24/7 is like going through withdrawal. Comic books may still seem obscure, but most people can really get into these modern video games. If some girl gets really into Call of Duty or Bad Company, in some way, she might be attracted to someone who is good at it. At the very least, being good at it won’t be a turn off.

Once the nerd well has been opened, people may try looking into other nerdy things. After-all, if video games are actually cool, maybe comic books will be fun to? If comics are cool, why not try a table top role playing game? You’re already in this deep.

To further demonstrate my point about respect, I want to use an example from my life. I know life experiences don’t count as “evidence” but, who the hell asked you anyway? That’s what I thought, no one.

Anyway, I used to live on campus at my University. Safe to say, I was the token floor geek. What really convinced me that being a nerd was no longer a social stigma was the day several of my friends were talking about their computer science course. A few of them were frustrated with the concepts, they weren’t overly difficult only time consuming. I listened to their conversation further and was able to identify what was going wrong. Not only was I right about that issue, I also explained how one of them could change the registry expiration date on a program. I wasn’t met with awkward glares. I was actually met with impressed smiles.

In conclusion, we were once called nerds because we enjoyed using the internet or because we enjoyed different forms of media. One of the biggest changes to society is how readily available media is. When media becomes just one button push away, it’s easier to get into it.

Jul 152010
 
transformers thumb copy

Everyone liked the Transformers. It was a television show and toy line up before my time but is utterly timeless. It just screams awesome. Seriously, robots run around and shoot at each other. That’s the concept. Robots at war and also they can transform into cars. Those two ideas are quintessential awesome ideas.

The good guys are called Autobots and the bad guys are called Decepticons. Say that out loud. Decepticons. Yeah say that word again… Decepticon. It sounds like the word deception just got a facelift straight from the Terminator.

These Decepticons hide as military vehicles, instruments of war. This is a strange decision on behalf of Hasbro which is a major contributor in the American military industrial complex (Seriously, the toy making company also makes stuff for the army, mixed messages).

Autobot is easy, it’s the end half of Robot combined with auto, the first half of Automobile. Not as powerful as Decepticon but you get the idea. These guys are cars and trucks, like fire engines or big 18 wheelers. These are the more constructive counterparts of machinery.

I could go on for pages about this stuff and I am not even that big of a Transformers fan. Hell, I hated Revenge of the Fallen and the first Transformers animated movie was okay at best.

To save some time this review is aimed at the comic book promo release for the game of same title…

Transformers: War for Cybertron

On rare occasion of a comic book based on a game actually doesn’t suck. I could go on about more crappy media crossovers but EGN beat me to it already.

Just to put things into perspective, this is a comic based on a video game that was based on a tv series that was only made to serve as a vehicle of selling toys to kids.

Produced by IDW publishing, written by Alex Irvine, Penciled and inked by Don Figueroa and edited by Andy Schmidt, this book actually succeeds in getting the reader hyped to play the game. We all know that free promo comics serve as a means of advertising and telling some back story before people play the associated game. This is the same ploy that Dead Space attempted. The difference between this cheesy free comic and other promo comics is that this one is actually good. I remember paying good hard cash for the HALO comic collection after HALO 2 but before 3. I felt ripped off, like my best friend took my money in exchange for a shed that wasn’t actually a shed but a punch in the face. Also instead of being my best friend it was a guy at the bus stop.

The comic takes place around the revolution in Cybertron between the labour castes and the ruling caste. For reference: I study political Science and reading Political Philosophy is a hobby of mine. I spend a great deal of time in the magical yet boring land of politics. I find political intrigue in most storylines to be contrived and lame. I can’t let simple things go and games like Just Cause 2 nearly made me kill myself for its attempts at political commentary. That being said: War for Cybertron explores some interesting territory. If you are like me and have no idea how Cybertron actually functioned before everything went explodey.

It doesn’t attempt to be anything more than it was designed for. You’re not reading this comic for action and soul. That’s what the game is for. This only serves as back story and it does a good job. It explains why Megatron has such a badass name; Hint: It’s actually because he IS badass. It explains the names behind others like Optimus Prime and the origin of the two factions. Well, at least the names behind the two factions.

In all fairness, they really stretched the definition behind the title Decepticons. It’s not that the concept doesn’t work; it’s just that the book fails to make it click. The definition behind Decepticon is basically: they seek to show how cruel and sadistic the established rulers of Cybertron really are by committing acts of terrorism (blowing things up, kidnapping people). Yeah, so nowhere does subversion actually play a role but… whatever. Megatron seems to act like me in that he has no idea what the whole deal with the name is about anyway and just sort of accepts it like: “Oh hey, well sometimes you just need to deceive people. Sounds cool enough, like if deception got a facelift from the Terminator.”

Final Verdict

Good writing, Good art, Serves well as a method of getting people amped up to play the game. Check it out for sure.

Jul 032010
 
HBHT_THUMBNAIL_METRO 2033

The apocalypse is just one idea that stirs all sorts of emotion. It’s a sad aftermath after a global suicide and it serves for the perfect setting for satire and the bitter truths about humanity. Not only that, but everyone likes the idea of being some elite survivor that rides around a desolate wasteland shooting mutants from the back of an el Camino. Sometimes it appeals to that little bit of us that just wants to be alone.

For the past little while this idea really took form. Fallout 3, the movies The Road and The Book of Eli all take place after some after world. So why not take a gander at another post apocalyptic story?

Well, we can get to the ‘why not’ part later but for now let’s dig into…

METRO 2033

Metro takes after a book with the same name written by Dmitry Glukhovsky, a Russian author. The setting is straight forward, the world blew up, and you’re some Russian guy living in the metro system under Russia. Each station turns into city states where survivors huddle together for safety against the mutants. Between the Nazis and the Communists and the hordes upon hordes of mutants the average citizen in metro doesn’t have much to look forward to. A frequent theme in the game is that humanity is pretty much doomed which takes form in the tag line: Fear the future.

This is an amazing set up, really it is, and I love the setting, but don’t pull out your wallet just so fast. Few games are based on books and fewer are actually worth taking the time to play. Metro is a beautiful game that really captures the element of hopelessness and despair. Hell, the whole game looks like the landscape to some goth kid poetry.  The only problem is that a book has the time to actually explain some stuff to you. The game doesn’t bother with petty details like: what the hell is going on?

Now do take note, I said GOTH kid, not emo wuss “no one loves me so I cut myself” poetry. This environment isn’t pissing around and it will kill you if you’re an idiot. The game requires you to equip a gas mask in order to breathe properly. Run out of air filters and you’re screwed. Get hit too many times and the gas mask shatters. If you don’t manage your saves properly you could be forced to start the whole game over.

This might sound like an interesting mechanic but in reality it’s just annoying. Unless you messed up big time or never bother looking for loot, you are usually going to have enough filters. Really, this is the after-world. If you’re not ripping up dry wall to steal the copper wires you’re not looting enough. The one exception to this is near the last few missions when the game refuses to sell you any filters or let you pick any up until you are running low. Perhaps this is just an Xbox glitch or a pathetic game mechanic that half-heartedly attempts to make things harder for you. Either way it’s tedious.

Speaking of making the game harder for you: the game implies some sort of morality mechanic that activates with random flashes of the screen. Something good; get a white flash and likewise do something bad you get a red flash. None of these choices make any sense. If you don’t give some kid a bullet (bullets are currency and for the record they are not at all common) you get a red flash. Keep in mind, giving the kid a bullet forces you to follow him and move ahead in the game. Don’t choke up your cash and explore the game environment that is beautiful and painstakingly put together or pay up to the brat and rush through. Consider that you actually spent REAL money on this, but it’s you’re ‘choice’.

Why hello... ADOLF!

Other choices are not so obvious. These take the form of not killing bandits or fascists. This is made more difficult with the poor stealth engine and near godlike senses of your enemies. Remember how the apocalypse is all about war in fallout? Not in Metro, you get punished for killing the rabid frothing rabies infested super Nazi’s. Seriously, I get punished for killing Nazis? Since when does that happen!

About this time you’re probably wondering why the morality system is such a big issue. Trust me, I won’t give away many spoilers but if you don’t get the good ending you’re going to feel like you just wasted your time. You get random choices and decisions but when it comes to the end apparently you have no say in how your character behaves. The good ending is clearly the best choice for humanity; one of the NPC’s straight up TELLS you this. It’s fairly noticeable when the game is telegraphing you hints because there really isn’t any character development.

The fighting mechanics are fine but the game lags on which causes it to become repetitive. You either engage in impossible stealth missions or you go room to room killing monsters or people. That’s really the only option you get. In a day with games like grand theft auto it gets annoying when you have no control over the game you paid money for.  Even Alpha protocol -in all its flaws- let you pick dialogue options or what missions you wanted to play. I don’t care if I’m riding rail cars in an old subway system, I don’t like being railroaded.

Metro 2033 plays like a book. So why not put down the controller and just read the damn book. Lord knows they place a poster or copy of it in every scene in the game. Seriously, that book makes more damn appearances than your character actually doing anything.

Buy, rent or pass? Well… as always it’s up to you. I am going to have to say with a troubled heart, PASS. If you want the beautiful atmosphere that metro has to offer, go read the book. I love video games as much as anyone but a good book isn’t limited by graphics cards and the setting is too good to forget about due to some mediocre game.

Jun 182010
 
HBHT_THUMBNAIL_ALPHA PROTOCOL

How does one briefly summarize Alpha Protocol? We have all played mediocre games before. This is a unique case though because many mediocre games are “meh” from top to bottom. Alpha Protocol walks a different path…

Let me see if I can put this into context. Think of someone who you would really like to meet in person, let’s say: Scarlet Johansson. You think she is beautiful and she seems so cool in those movies yeah? Okay well you and her set a date to go hang out. Then it was pushed back.

And then back again

And again

And finally you get to hang out with her!

Only something is wrong. Sure she looks great all dressed to the nines. She looks like everything the films made her out to be! “All right!” you say to yourself as she sits down opposite of you. Then she opens her mouth and for all your time on this earth you have never heard more vile and cruel things said about people of ethnic origin.

She looks fantastic, perfect, and godlike. Her hair flows with a divine elegance and looks as if it was twined from flawless rubies. Her eyes are deep and mysterious and with a glance they are entrancing. Her voice is shrill and vile; it sounds like getting punched in the balls. You didn’t even say hello and she’s made it a third of the way through Mien Kampf.

You have two things to consider at this point. One aspect about her is interesting, and seemingly flawless. The other is like punching a bag filled with nails if it had a previous career cleaning up after dogs. A whole neighbourhood of dogs and the nails have like barbs or something.

This is Alpha Protocol. Sitting in front of something both beautiful in its creativeness and inspiring yet, something so god awful it literally fills you with the feeling of being stabbed. This isn’t some silly metaphor neither, I actually felt like I was stabbed while playing this game.

Alpha Protocol is to this date the best spy game ever made, and yes that includes Golden Eye. This game captures the element of intrigue and action that reminds us why spy stuff is cool and not lame and gimmicky. What you choose actually matters. I want to repeat this for effect: The options you choose actually change the game world and make it harder/easier for you to play. A game that has more than just the cliché “Good choice or bad choice! Hurr Durr! You decide!” crap. Yes that includes GTA 4. This truly is an original dialogue system that puts you in the moment.

As for almost everything else in this game: Utter garbage. Stealth ranges from laughably easy to controller smashingly hard.  You can tell they wanted you to play stealthy to because every other form of attack is nearly impossible to master. Unless you get some sick pleasure from missing all the time you need to carefully wait until each shot is aimed properly then fire. Even then it’s no guarantee you will hit anything. Of course even shooting is broken when you can just activate a special ability and kill three people in a single room without breaking a sweat. Only problem is: you need to wait a while before you can use the damn ability again.

This is strange for a game that basically tried to use the Mass Effect engine without it being Mass Effect. Seriously, everything including the safe houses has this weird “You have totally played this before” feel to it.

So final verdict: Rent this one.

Rent it twice. Do anything you need to do but pay full price and I mean this. The game is too interesting to give up on and leave paths unexplored but whatever you do refuse to spend hard earned cash on a full copy. Remember: If Obsidian and Sega only want to half-ass this game you should half-ass paying for it.

Jun 142010
 
HBHT_THUMBNAIL_RETURN OF THE LIVING DEAD

Zombies…

Not many words raise the amount and depth of images and emotions that zombie does. It can mean many different things in many different contexts yet is still only one weird sounding word.

Corporate zombie: A white collar employee that seems devoid of personality and life and is stuck in a routine of work and other prescribed activities (eat, sleep, watch TV, and avoid thinking).

Rage Zombie:  Closer to your typical movie zombie and gloried in ’28 Days Later.’ The Rage zombie is a still breathing, fast moving hard to kill human being driven insane with only the desire to kill the closest non-infected thing. This zombie contrasts with the corporate zombie yet at its core is still taps into something that defines ‘zombie’.

That definition seems to be that, a zombie is a human being deprived of humanity. Every zombie was once human is now a mindless creature that only serves to mock what it once was. This often takes the form of aggressively (often painfully) converting non-zombies. Ever notice how few zombies in movies attack animals opposed to human beings?

Now don’t confuse the term with Crazies. Crazies (another Romero creation) are basically rage zombies but with one key difference. The crazy is not always concerned with converting a non-crazy and only some of the time is it violent.

Nerd rage aside…

The zombie brand has spawned its own subculture. One would be hard pressed to venture on the blogosphere without seeing a few articles on how to survive a zombie uprising. The whole ironic nature of this subculture is that, some people are beginning to WANT a zombie uprising. Never mind the fact that most zombie nerds maintain a steady diet of cheetos and energy drinks; its doubtful many of these people would survive.

This is why our video showcase of the week stands as the definition of ‘ahead of its time’

Return of the Living Dead


Directed by Dan O’Bannon, ‘Return’ is a satirical black comedy of the zombie genre. From the first scene it indicates that the “That film with the zombies” was actually a true event that was re-written for the big screen. Why the military forced the creator to modify the film and not halt production is a mystery to me.

From then on the film takes a funny and sharp down turn with almost immediately setting a zombie loose and poisoning the two characters working there. The infection is spread through a mysterious gas that travels through ventilation ducts and reawakens a corpse held in a meat locker.

The movie follows a strong nihilistic punk angle which almost pokes fun at the zombie genre. In one scene three of the characters attempt to kill the meat locker zombie by holding it down and jamming a pick through its skull. This fails. Hilarity ensues.

Throughout the film all sorts of holes are poked into the zombie mythology like how utterly useless bullets are on zombies. Or how reanimated corpses walk, talk, and fight just as a normal person would. In some scenes it looks like production was so cheap on the zombies they just slathered mud on people in dirty suits.

What really serves to set this zombie movie as a satirical look at the zombie genre is overall the behaviour of the aspects of the characters. Typically, a zombie movie will involve the destruction of society and the survivors afterwards. In ‘Return’, the world is still very much alive and almost seemingly unconcerned at the zombies.

In the typical zombie movie, zombies are the brainless morons whom the humans have to outsmart. In ‘return’ the zombies retain their intelligence and are seen on multiple occasions tricking humans or setting traps. The zombies are far from brainless and are shown as being smarter than most of the humans.

The most important satirical aspect though is the movies refusal to obey its own rules. Seemingly random aspects of the zombie ‘rules’ make it impossible to categorize ‘return’ zombies and only confuse anyone looking to adopt a strategy to fight them. Some victims arise from the dead, some merely twitch, and others become some grey naked super zombie with red hair. Yes that last one actually happens.

Speaking of which, special credit goes to Lennea Quiggly who basically performs this movie naked. That’s right. I’m not talking about some undead queen zombie that just happened to not have any clothes. This super-nudity started before the zombies started digging themselves out of the ground.

If you’re in the mood for something funny with dead things eating living things, Return of the Living Dead is your movie.

Jun 092010
 
HBHT_THUMBNAIL_LXG

Deadlines, something no one likes but everyone needs. Some of the worst parts of deadlines are getting a quick talking to by your superior like, “I need this for Wednesday” and “I don’t care if you work or your mother is in the hospital, do it!” Everyone knows what is at stake, even if you can stretch out a deadline you run the risk of appearing as a slacker and nothing speeds up your trip to a dead end job like looking like a slacker. Or having a gun pressed to your temple, that works to.

But life isn’t all about worrying about our careers or whose boss threatened to burn down the hospital where my mother is staying in unless I finish this article on time. Sometimes it’s nice to relax and enjoy the finer things like, fine wine, philosophy… okay well, Comic books. That’s sort of like wine and philosophy right? Sure.

Since I already read through the books previously and again for research with my last article, I will focus on this comic special on the League of extraordinary gentlemen. Since the movie decided to have nothing to do with the comic series to the point where the only logical explanation involves the kidnapping of mirror-verse Alan Moore and burning the original source material in some maniacal hate filled ceremony, it’s only justice to tell the other side of the story.

So here we go with,

The League of Extraordinary Gentlemen

Just the facts: Written by Alan Moore and drawn by Kevin O’Neil. The first thing you notice about this series is the distinct art work. Each page on both volumes is filled with delicious eye candy that keeps the reader propelled through the panels and on occasion even taking the time to examine the picture closer. Most frames in comics tend to be wasted with throw away backgrounds but not a single moment is spared in either of the two volumes.

That being said, at times I grew tired of seeing almost half the art space devoted to text boxes. Yes I understand that a comic is both visuals and dialogue but it wouldn’t be so much of a problem if the damned dialogue had anything to do with the story. It must be a British in joke that everyone is babbling about anything BUT the task at hand. Many comic fans and Moore- zealots may argue otherwise but the only characters that ever stuck to talking about something relevant were Griffin (the invisible man) and Nemo (The science pirate…which equals super submarine apparently).

Both volumes cover a single story arc. The first volume was filled with brief hints to the other plot before-hand. This was an interesting adage and makes me wonder what other hints lay for further plots that could have occurred before the comic’s sudden death after the second volume. Yes, they made a third one and no I’m not going to talk about it. It must be tradition that anything to do with League must utterly abandon any other project done on the subject.

In a very brief summary, the first volume traces the beginning of the league of extraordinary gentlemen (citing that England has made use of individuals of unique talents in the past). We quickly get to see Alan Quartermain and Mina Murray’s reaction when she finds her childhood hero as a drunken useless fool. That’s right folks, Alan Quartermain the great colonialist and hunter extraordinaire is actually the equivalent to bringing your grandfather along on a death defying adventure. He generally proves useless and almost dies as much as Robin or Fallout boy, the only difference is that those heroes had the balls to finish the job and die already.

Before getting too in deep with the series I should remind readers that these little nit pickings shouldn’t dissuade you in any way from enjoying this series. I recommend that you “Rent” and not buy this title though. Borrow it from a friend or skim through it under the sleepy gaze of a comic book shop attendant. The art inside is well worth the time and although the story stumbles along as quickly as Alan Quartermain’s midnight trips to the toilet and like those nocturnal adventures, only partially succeeds in its endeavours.

Believe it or not, Lawrence of Arabia on Mars is actually a hell of a lot more interesting to read then Victorian steam punk superheroes. Go figure.

Jun 072010
 

This week on the showcase I thought we could talk a little about comic book movies.

A nerd is hardly worth his salt if he hasn’t picked up a comic book at some point in his life. The art of attaching words to pictures has long been used for quite some time in the form of cartoons or funny papers, but the idea of a comic is to not just entertain but tell a story (mostly with words like: Zott!, Wank! or Scronk!).

The comic is just a grouping of pictures and dialogue meant to tell a story. This combination of artistry and writing has survived two world wars, inflation, and overtly complex and mind boggling stupid plots that may or may not involve Spiderman being cloned thousands of times.

Now the process of making comic books into movies has taken place for quite some time now. The adaptation of the incredible hulk into a highly successful TV series may stand out as the earliest success but since then comic books have had difficulty moving into other mediums. For every successful comic book adaptation there are several that are just plain bad.

For example: Spiderman was a triumph of comic book adaptations, a generally well received movie that captured the core of Spiderman without binding itself to the genre. Then we have Ghost Rider, who successfully captures the essence of that feeling when you have to crap and vomit at the same time and can’t decide which to do first.

So with that being said, this week’s showcase is

The League of Extraordinary Gentlemen

The comic book series is written by the famous Alan Moore and illustrated by Kevin O’Neil.

The movie was directed by Stephen Norrington (Director of Blade and was originally chosen to direct, of all movies, Ghost Rider) and written by James Robinson (writer for several different comic books including Superman and Cable).

Aside from the characters having the same name (and in some cases not even being the same character like Hyde, who in the comic books is a remorseless sadist) there is really no other references to source material. This adaptation chooses to take the bold step and diverge from the comic’s cannon. Sometimes this divergence can really re-invigorate a genre and bring a new perspective to the characters.

Some times…

Not This Time.

So before getting into this I just want to clarify: I actually enjoyed this movie. It’s not the smartest movie in the world. It demonstrates only a rudimentary understanding how to perform a plot twist and at one point even destroys the possibility of a sequel or follow up on the film. It’s almost as Alan Moore read over the screen play and decided that it was so bad it was beyond repair and that the best thing to do was ruin any chances of continuing the franchise. That is

Blimey!

why it’s good, because it’s so bad that at some point you stop taking the film seriously and enjoy it for what it is. Pointless namedropping, over acting that devours the scenery and a special affects division that decided: “Screw this movie we’re blowing everything up whether it’s in the script or not”.

To the films credit it has Sean Connery. No, there’s no further point here. It has Sean Connery and that’s enough to warrant some credit.

If you look hard enough you may find this one in a bargain bin in a local electronics department. It’s a fun film to watch despite the seemingly random addition of characters that serve no purpose aside from confusing the audience. Take a look if you have nothing better to do one afternoon; let’s face it, you don’t.

May 312010
 

We live in the days of internet piracy. Virtually any media is readily available for download online for free with only the occasional risk of infecting your hard drive with viruses. Pirates may go out of their way to host free stuff but they are a frisky lot so remember kids, always wear a firewall.

These days seem to be numbered as the old west internet doesn’t seem like it could possibly survive the unblinking wheel of progress. Depressing as the realization comes that we live in the good old days.

But if Piracy is the number one word on the internet, the second most likely to make you squeal in man-boyish joy: Public Domain!

That’s right! Not some sissy fair usage. We’re talking no owner, free for all to see public domain   / abandon-ware goodies. This of course brings our attention to Public Domain Theatre hosted by Brad Jones (Aka the Cinema snob). He has collected a decent amount of public domain B rated films that are (surprise!) actually good. The one in particular for today’s discussion…

Messiah of Evil

The town is called Pointe Dune. That's not foreboding or anything...

Now I know what you’re thinking. That name is so generic it’s practically invisible. If you were wandering through the dank dungeons of obscure B movie rental places you wouldn’t bat an eye at something like this. There must be several movies that bare this name or something very similar. This is rather deceptive though because the moment you begrudgingly sigh and rent this one just to have some noise in the background (or stream it like I did) you are taken by the first scene

Written and directed by Willard Huyck and Gloria Katz (Writers on Indiana Jones and the Temple of doom & American

This movie may or may not contain skydiving zombies... yeah, you're pretty much screwed.

Graffiti) Messiah of Evil is basically a film adaptation of the HP Lovecraft story “The Shadow Over Innsmouth”. According to IMBD it also goes by the name Dead People. This amazes me how the alternate title is actually more generic than the original.

Now adaptation is a loose word, more like heavily inspired by the story. The whole film reeks of a strange style. Individual scenes might appear normal and non-threatening but make no mistake, when you put the whole experience together it makes for a very unnerving picture. Don’t expect too many jump out shock scares or gore (although there is a small share of both) this is mostly a mind bending story, relying heavily on atmosphere and dialogue to slowly but surely terrify the audience. Consider the grainy quality of the film as an added bonus.

But don’t take my word for it, follow the link and check it out for yourself. If you’re prone to night terrors you may want to re-think it though.